A literature term, a plot is all the events in a story particularly rendered toward the achievement of some particular artistic or emotional effect or general theme. An intricate, complicated plot is known as an imbroglio, but even the simplest statements of plot can have multiple inferences, such as with songs the ballad tradition.[citation needed]

Contents

Plot structure

Freytag's pyramid

Plot is often designed with a narrative structure Theorists describing a text's narrative structure might refer to structural elements such as an introduction, in which the story's founding characters and circumstances are described; a chorus, which uses the voice of an onlooker to describe the events or indicate the proper emotional response to be happy or sad to what has just happened; or a, storyline Categories: Fiction | Plot | Literary concepts or story arc A story arc is an extended or continuing storyline in episodic storytelling media such as television, comic books, comic strips, boardgames, video games, and in some cases, films. On a television program, for example, the story would unfold over many episodes. In television, the use of the story arc is much more common in dramas than in comedies,, that includes exposition, conflict, rising action and climax, followed by a falling action and resolution.

Exposition

Main article: Exposition (literary technique) Exposition is one of four rhetorical modes of discourse, along with argumentation, description, and narration. The purpose of exposition is to provide some background and inform the readers about the plot, character, setting, and theme of the essay/story or motion picture

Exposition is the beginning of the plot usually concerned with introducing characters A character is the representation of a person in a narrative or dramatic work of art . Derived from the ancient Greek word kharaktêr (χαρακτήρ), the earliest use in English, in this sense, dates from the Restoration, although it became widely used after its appearance in Tom Jones in 1749. From this, the sense of "a part played by an and setting In fiction, setting includes the time, location, and everything in which a story takes place, and initiates the main backdrop and mood for a story. Setting has been referred to as story world or milieu to include a context beyond the immediate surroundings of the story. Elements of setting may include culture, historical period, geography, and. These elements may be largely presented at the beginning of the story, or occur as a sort of incidental description throughout. Exposition may be handled in a variety of ways—perhaps a character or a set of characters explain the elements of the plot through dialogue or thought, media such as newspaper clippings, and diaries. In the case of film, an analogous usage of television, discovered video tape, or documentary may be used.

Rising Action

Main article: Conflict (narrative) Conflict is a necessary element of fictional literature. It is defined as the problem in any piece of literature and is often classified according to the nature of the protagonist or antagonist, as follows:

Rising Action is the central part of a story during which various problems arise, leading up to the climax.

Conflict is the "problem" in a story which triggers the action. There are five basic types of conflict: Person vs. Person: One character in a story has a problem with one or more of the other characters; Person vs. Society: A character has a conflict or problem with society-the school, the law, tradition; Person vs. Him or Herself: A character struggles inside and has trouble deciding what to do; Person vs. Nature: A character has a problem with some element of nature, a snowstorm, avalanche, bitter cold; Person vs. Fate A character has to battle what seems to be an uncontrolled problem.

Climax

Main article: Climax (narrative)

The climax is the high point of the story, where a culmination of events create the peak of the conflict. The climax usually features the most conflict and struggle, and usually reveals any secrets or missing points in the story. Alternatively, an anti-climax may occur, in which an expectedly difficult event is revealed to be incredibly easy or of paltry importance. Critics may also label the falling action as an anti-climax, or anti-climactic. The climax isn't always the first important scene in a story. In many stories, it is the last sentence, with no successive falling action or resolution.

Falling action

Main article: Falling action The falling action is the part of a story, usually found in tragedies and short stories, after the climax and showing the effects of the catastrophe

The falling action is the part of a story following the climax. This part of the story shows the result of the climax, and its effects on the characters, setting and proceeding events. Critics may label a story with falling action as the anti-climax or anti-climactic if they feel that the falling action takes away from the power of the climax.

Resolution

Main article: Dénouement In literature, a dénouement consists of a series of events that follow the climax of a drama or narrative, and thus serves as the conclusion of the story. Conflicts are resolved, creating normality for the characters and a sense of catharsis, or release of tension and anxiety, for the reader. Etymologically, the French word dénouement is derived

Etymologically Etymology is the study of the history of words, where they are from, and how their form and meaning have changed over time, the French word dénouement is derived from the Old French word denoer, "to untie", and from nodus, Latin for "knot". In fiction, a dénouement consists of a series of events that follow the climax, and thus serves as the conclusion of the story. Conflicts are resolved, creating normality for the characters and a sense of catharsis Catharsis or katharsis is a Greek word meaning "cleansing" or "purging". It is derived from the verb καθαίρειν, kathairein, "to purify, purge," and it is related to the adjective καθαρός, katharos, "pure or clean.", or release of tension and anxiety, for the reader. Simply put, dénouement is the unraveling or untying of the complexities of a plot. Be aware that not all stories have a resolution.

Plot devices

Main article: Plot device A plot device is an object or character in a story whose sole purpose is to advance the plot of the story, or alternatively to overcome some difficulty in the plot

A plot device is a literary technique A literary technique, literary device, or literary motif is an identifiable rule of thumb, convention or structure that is employed in literature and storytelling used by authors to forward the plot of a story.

Plot outlines

A plot outline is a prose telling of a story to be turned into a screenplay. Sometimes called a one page (one page synopsis, about 1 - 3 pages). It is generally longer and more detailed than a standard synopsis (1 - 2 paragraphs), but shorter and less detailed than a treatment A film treatment is a piece of prose, typically the step between scene cards (index cards) and the first draft of a screenplay for a motion picture, television program, or radio play. It is generally longer and more detailed than an outline (or one-page synopsis) and shorter and less detailed than a step outline, but it may include details of or a step outline A step outline is a detailed telling of a story with the intention of turning the story into a screenplay for a motion picture. There are different ways to do these outlines and they vary in length.

In comics Comics is a graphic medium in which images convey a sequential narrative. The term derives from the mostly humorous early work in the medium, and came to apply to that form of the medium including those far from comic. The sequential nature of the pictures, and the predominance of pictures over words, distinguishes comics from picture books,, an outline, often pluralized as outlines, refers to a stage in the development where the story has been broken down A script breakdown is an intermediate step in the production of a play, film, comic book, or any other work that is originally planned using a script very loosely in a style similar to storyboarding Storyboards are graphic organizers such as a series of illustrations or images displayed in sequence for the purpose of pre-visualizing a motion picture, animation, motion graphic or interactive media sequence, including website interactivity in film development Photographic processing is the chemical means by which photographic film and paper is treated after photographic exposure to produce a negative or positive image. Photographic processing transforms the latent image into a visible image, makes this permanent and renders it insensitive to light.

The pencils will be very loose (i.e., the sketch rough), the main aim being to lay out the flow of panels across a page, ensure the story successfully builds suspense and to work out points of view, camera angles and character positions within panels. This can also be referred to as a plot outline or a layout.

Notes

See also

References

External links

Fiction Fiction is any form of narrative which deals, in part or in whole, with events that are not factual, but rather, imaginary and invented by its author(s). Although fiction often describes a major branch of literary work, it is also applied to theatrical, cinematic, documental, and musical work. In contrast to this is non-fiction, which deals
Character A character is the representation of a person in a narrative or dramatic work of art . Derived from the ancient Greek word kharaktêr (χαρακτήρ), the earliest use in English, in this sense, dates from the Restoration, although it became widely used after its appearance in Tom Jones in 1749. From this, the sense of "a part played by an Protagonist A protagonist is the main character (the central or primary personal figure) of a literary, theatrical, cinematic, video game, or musical narrative, around whom the events of the narrative's plot revolve and with whom the audience is intended to share the most empathy. In the theatre of Ancient Greece, three actors played all of the main dramatic · Antagonist An antagonist is a character, group of characters, or an institution, that represents the opposition against which the protagonist must contend. In other words, 'A person, or a group of people who oppose the main character, or the main characters.' In the classic style of story where in the action consists of a hero fighting a villain, the two can · Focal character In any narrative, the focal character is the character on whom the audience is meant to place the majority of their interest and attention. He or she is almost always also the protagonist of the story; however, in cases where the "focal character" and "protagonist" are separate, the focal character's emotions and ambitions are · Viewpoint character A narrator is, within any story , the person who conveys the story to the audience. When the narrator is also a character within the story, he or she is sometimes known as the viewpoint character. The narrator (or the archaic female equivalent, narratress) is one of three entities responsible for story-telling of any kind. The others are the · Foil character A foil's complementary role may be emphasized by physical characteristics. A foil usually differs drastically. For example in Cervantes' Don Quixote, the dreamy and impractical Quixote is thin in contrast to his companion, the realistic and practical Sancho Panza, who is fat. Another popular fictional character, Sherlock Holmes, is tall and lean;
Plot Dramatic structure Dramatic structure is the structure of a dramatic work such as a play or film. Many scholars have analyzed dramatic structure, beginning with Aristotle in his Poetics . This article focuses primarily on Gustav Freytag's analysis of ancient Greek and Shakespearean drama: Exposition Exposition is one of four rhetorical modes of discourse, along with argumentation, description, and narration. The purpose of exposition is to provide some background and inform the readers about the plot, character, setting, and theme of the essay/story or motion picture · Conflict Conflict is a necessary element of fictional literature. It is defined as the problem in any piece of literature and is often classified according to the nature of the protagonist or antagonist, as follows: · Rising action The rising action, in the narrative of a work of fiction, follows the exposition and leads up to the climax. The rising action's purpose is usually to build suspense all the way up the climactic finish. The rising action should not be confused with the middle of the story, but is the action right before the climax. The material beyond the climax · Climax (narrative) · Falling action The falling action is the part of a story, usually found in tragedies and short stories, after the climax and showing the effects of the catastrophe · Dénouement In literature, a dénouement consists of a series of events that follow the climax of a drama or narrative, and thus serves as the conclusion of the story. Conflicts are resolved, creating normality for the characters and a sense of catharsis, or release of tension and anxiety, for the reader. Etymologically, the French word dénouement is derived · Plot device A plot device is an object or character in a story whose sole purpose is to advance the plot of the story, or alternatively to overcome some difficulty in the plot · Subplot A subplot is a secondary plot strand that is a supporting side story for any story or the main plot. Subplots may connect to main plots, in either time and place or in thematic significance. Subplots often involve supporting characters, those besides the protagonist or antagonist
Setting In fiction, setting includes the time, location, and everything in which a story takes place, and initiates the main backdrop and mood for a story. Setting has been referred to as story world or milieu to include a context beyond the immediate surroundings of the story. Elements of setting may include culture, historical period, geography, and Utopia Utopia is a name for an ideal community or society possessing a seemingly perfect socio-politico-legal system. The word was invented by Sir Thomas More for his 1516 book Utopia, describing a fictional island in the Atlantic Ocean. The term has been used to describe both intentional communities that attempted to create an ideal society, and · Dystopia A dystopia (alternatively, cacotopia, or anti-utopia) is a vision of an often futuristic society that has degraded into a repressive and controlled state, though often under the guise of being utopian. A dystopia is, thus, regarded as a sort of negative utopia and is often characterized by an authoritarian or totalitarian form of government · Fictional universe A fictional universe is a self-consistent fictional setting with elements that differ from the real world. It may also be called, variously, a fictional realm, fictional world or imaginary world. The terms multiverse, parallel universe, alternate history, story or screen bible, backstory and crossover have a considerable amount of overlap with · Fictional location Fictional locations are places that exist only in fiction and not in reality. Writers may create and describe such places to serve as backdrop for their fictional works. Fictional locations are also created for use as settings in Role-playing games such as Dungeons and Dragons. They may also be used for technical reasons in actual reality for use · Fictional country A fictional country is a country that is made up for fictional stories, and does not exist in real life. Fictional lands appear most commonly as settings or subjects of literature, movies, or video games. They may also be used for technical reasons in actual reality for use in the development of specifications, such as the fictional country of
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Question about writing a query letter for fiction?
Q. I have written a literary fiction novel that is heavily based on my personal perception of how things are, but it is not a first person narrative and the plot is not about me. When I write my query letter to send to agents, should I make mention of the book being based on my perceptions, or should I simply state the way things are in the book as if that IS the way things are? I realize this is somewhat of a vague question, but I don't want to get into the actual details of the book.
Asked by egn18s - Mon Jun 28 18:18:06 2010 - - 2 Answers - 0 Comments

A. Just state the way things are in the book. The agent doesn't care why you wrote it, honestly. Your query should focus on Who your character is, What happens to them, the Choices they have to make, and the Consequences of those choices.
Answered by agilebrit - Mon Jun 28 19:54:27 2010

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